Paris
02/06/2003 -

At a time when retirement is very much the subject du jour in France, an increasing number of artists are pushing back the borders of longevity and carrying on their careers well into their 70s - and even 80s (just think of Henri Salvador and Cuban grand-daddies Compay Segundo and Ibrahim Ferrer!) Meanwhile, France's national play-boy Sacha Distel croons into the fifth decade of his career with not one but two new albums celebrating his passion for American music hall and his love of romantic ballads.
Sacha's French album, En vers et contre vous, features fourteen original songs composed by Monsieur Swing himself with lyrics by the new French generation of songwriters from Universal. Patrice Guirao was the first off the mark, wiring in from his Tahitian atoll and "spontaneously" sending Sacha some fifteen songs of which the singer kept half a dozen. Guirao's contributions were soon followed by texts from Brice Homs and female songwriters Sylvie Mathis and Daria de Martynoff. En vers et contre vous also finds Sacha hooking up with a number of old friends including jazz drummer André Ceccarelli and Charles Aznavour, who penned the wonderfully nostalgic Nous.
Sacha's English album, But Beautiful, features a no less star-studded cast, including duets with two outstanding American divas, Dionne Warwick and Liza Minnelli. Apparently, Sacha's original idea had been to record two songs with Whitney Houston's aunt Dionne Warwick – and this he did with When I Fall in Love and The Good Life (an English adaptation of his French classic La Belle vie). But when Liza Minnelli heard about the project she was immediately on the phone to her old friend, insisting she should record a duet with him too. How could Sacha refuse the lovely Liza, whom he has known since she was 16? And the result was the French crooner headed out to New York to record All the Way with Ms. Minelli.
All that jazz
Looking back on Sacha's early life it seemed inevitable that he would one day end up on the stage. Born in 1933, young Sacha began his career working in the music publishing company owned by his uncle, Raymond Ventura. When he was not at the office young Sacha spent his time learning to play guitar with an eccentric young musician who would also go on to become a big star: Henri Salvador. After honing his musical talent in the school jazz band, Sacha already had an eye on joining a serious group. And the opportunity came when his uncle Ray formed Ray Ventura et Les Collégiens. Sacha joined the white-jacketed, blue-tied brigade, swinging his way to fame with the rest of the group. Meanwhile, thanks to his uncle, Sacha went on to play with Loulou Gasté (Line Renaud's future husband) and Paul Misraki (who made his name as a top film music composer a few years later).
Sacha enjoyed the 50s to the hilt, hanging out on the Saint-Germain club scene at Le Tabou and Le Club St Germain and soaking up the carefree, hep cat ambience of the post-war years. By this point Sacha had already established a reputation for himself as a good guitarist and he was soon accompanying the likes of Juliette Gréco and Sarah Vaughan. But Sacha had ambitions of seeing his own name up in lights and was already thinking of abandoning the guitar to launch his own singing career. He would have to swallow his pride for a few years yet, however. When he enjoyed a brief fling with Brigitte Bardot in the mid-50s the whole nation was caught up in "Bardot-mania" and Sacha had to learn to live with the press dismissing him as the "little guitarist" trailing in the blonde bombshell's wake.
Sacha finally got to perform his debut concert in Algiers in 1958, bringing the house down with his famous version of "des pommes, des poires oui, mais des scoubidous ouahhh!" A series of equally light, fun-loving hits followed as Monsieur Cannibale, L'incendie à Rio and Scandale dans la famille all shot up the charts. Sacha continued his chart-topping success for another five years, but he was finally toppled from his pedestal when the French "yé yé" stars - Johnny Hallyday, Sylvie Vartan and Eddy Mitchell – arrived on the scene and rendered Monsieur Distel's charm old hat.
Sacha, the cross-Channel phenomenon
After a period of singing in the musical wilderness, Sacha made a comeback in the early 60s, presenting the "Sacha Show." The programme, produced by Maritie and Gilbert Carpentier, was a pure glitz and glamour 'variety' extravaganza featuring Petula Clark as special guest star. The "Sacha Show" proved a huge hit with the French public and lasted for the next ten years. Meanwhile, the famous Distel charm was working its spell on music fans across the Channel, too. With his dark good looks and permanent tan, not to mention a sexy French accent, Sacha soon had the British public – especially the female sector – eating out of his hand. Sacha went on to host a show on the BBC and took the U.K. charts by storm with his crooning classic Raindrops Keep Fallin'on my Head. Sacha's magic touch in the U.K. does not appear to have worn off, either – old "Sunny voice", as the British press has dubbed him, still plays an average of thirty concerts a year there and is a regular guest on TV chat shows.
In 1999 Sacha was whisked off to London to play the male lead in the Bob Fosse musical Chicago. Bringing his own French razzle dazzle to the role, Sacha caused a veritable stir in the West End with his all-singing, all-dancing performance as Billy Flynn, the 1920s lawyer on the make. Sacha, a long-time fan of musicals, has his own long-running dream of turning Maurice Chevalier's life into a stage show. But for the time being his avowed aim is to become the sexiest eighty-year-old in French show business. All we can say is, you've got a few years to go yet, Monsieur Swing!
3 - 5 October at Le Grand Rex, Paris
Sacha Distel En vers et contre vous (Mercury)
Pascale Hamon
Translation : Julie Street
27/12/2000 -